The Porte-Voix company is putting on a triptych of shows that question the way in which human beings fit into their environment and advocate an ‘inseparable’ approach to living things. It is made up of three creations that complement each other in terms of form and audience appeal, OKA, KOOM and OKANINA.
Among the Amerindians, the ocas are small islands of human life in the heart of the Amazon rainforest. Two musician-singers draw on the roots of world music to plunge the audience into an atmosphere inspired by the forest, to encounter a wild world on the edge of the visible.
Set up on islands at the heart of the stage, young and old alike can participate in the artistic gesture, pick up objects evocative of an imaginary nature or simply let themselves be carried away by the voices and music.
Halfway between a musical siesta and an immersive installation, OKA is an invitation to take a fresh look at our relationship with living things.
OKA is an immersive form that explores new links with the audience by inviting them into the heart of an enveloping space. The aim is to encourage young and old alike to take a different look at living things, to understand the links between humans and nature and, more broadly, to put people back into their ecosystem. For us, immersion is an additional way of stimulating the public’s desire to get in touch with the wild and creative side of us all.
OKA is aimed at very young children and their carers, as well as a wider audience. The musical score and text are accessible to the very young, yet have an intellectual and philosophical impact that adults and teenagers will appreciate.
While the little hands are busy weaving the materials, the minds of the older children are awakened to a new awareness of the living world.
“To be part of a whole? To make our relationship with nature and the living perceptible? That’s what this “landscape-concert”, as the Porte-Voix company nicely defines it, achieves, both in its immersive form and in its message, which is inspired by the thought of the philosopher and tracker Baptiste Morizot. Welcomed and installed on islands (inspired by Amerindian ocas, groups of human life) made of textile, natural and woven materials, the audience witnesses the creation of a soundscape, where the sounds of nature, instruments from around the world, spoken or sung voices resonate like a gentle, vibrant energy. The two performers, on either side of the stage area dotted with luminous pebbles, play their instrumental device, coming out to meet the audience, encouraging everyone to try out the objects available and to take part, in movement and together, in this beautiful sensory creation”.
TTT – Télérama, Françoise Sabatier-Morel, February 2023
Cast
Creation and writing Florence Goguel
Sound creation and performance Gonzalo Campo et Florence Goguel
Set design, textile creation, costumes Marlène Rocher
Construction of scenography Tatiana Cotte, Patrice Balendreaud et Jean-Luc Priano
Sound Tania Volke
Stage management Lonni Zapha ou Paul Buche
For theatres and non-dedicated venues, creation 2022
Age From 6 months
Length 40 minutes
1 to 3 performances per day
Audience (adults and children) 50 to 60 people (to be specified according to location)
Space 80m2 public included (adaptable)
Staff 3 persons on tour
Assembly 1 à 2 services
OKA at Festival Off d’Avignon 2024
From 6 to 21 July at 4pm (with breaks on 8 and 15)
La Cour du Spectateur, salle Pierre Estève
Reservations
06 28 67 09 82 (from 1 July)
ligue84.org – Ticket’OFF
Full price €10 / Children (under 12) €6 / Reduced price and Off €7
Professional bookings
Mathilde Kuhn 06 49 48 62 96
La Cour du spectateur 2024: 18 companies in an atypical, collective and supportive venue devised by the Ligue de l’enseignement, at the heart of the Avignon Off Festival.
Production Compagnie du Porte-Voix
Coproductions La Ferme des Communes de Serris, Ferme Corsange de Bailly-Romainvilliers
Support La Compagnie du Porte-Voix est conventionnée par la Direction Régionale des Affaires Culturelles d’Île-de-France. Départements de Seine-et-Marne et des Hauts-de-Seine, Ville de Nanterre, SACEM, Théâtre Dunois / Théâtre du Parc – Scène pour un Jardin Planétaire, Compagnie Les Demains qui Chantent, Compagnie Le Son du Bruit, Festival les Enfants d’abords et Maif Social Club, Ville de Magny-le-Hongre, Ville de Joué-lès-Tours, Festival Jeune et Trés Jeune Public de Gennevilliers, Festival Petits et Grands
Illustrations Marie Poirier – Photos Christophe Raynaud de Lage